Many years ago, I joined a Youth Club, and we would put on shows twice a year: a so-called "Parents' Evening" in May (no prizes for guessing who was in the audience for that event!) and a run of three evening performances of a pantomime in December.For some unknown reason, I started reminiscing about those times -- almost forty years ago now -- and my main function at these productions as the sound engineer.
Now, this involved not only providing the microphones and amplification from the stage, but also music and sound effects. I was lucky in having the extremely versatile Vortexion CBL as my main tape recorder, and this was absolutely superb for this purpose, as its two (i.e. stereo) channels were completely independent and it was possible to send and mix signals from one side to the other. Indeed, unusually the two channels flanked the mechanical part of the machine, as the photograph shows, and had extensive mixing, amplification and tone controls. I could even listen to and cue-up sound effects on the built-in loudspeaker without affecting what was going on in the auditorium. I had no additional mixing desk or other aids!
This hand-made recorder was considered one of the top of its class at the time, and was manufactured only a couple of miles away from my home (excuse the pre-metric speak: this was well before Britain metricated!) It was big and heavy, and I had to trundle it between home and where the Youth Group met on one of those two-wheel hand-drawn trolley affairs with retaining straps. That was real fun...
Our productions were held in a church hall (which is where the Youth Club met) which had a stage with curtains and a small lighting console mounted on the wall in the wings, stage right. We would hire additional spotlights to augment the above-stage lighting, and a trough of footlights or "floats". I was stationed in the vestibule just in front of stage-right, with swing doors with windows between me and the audience -- so they didn't know I was there.
I could watch the stage through the window, and hear what was going on via the Vortexion's built-in loudspeaker, which could be switched to either left or right channel or off, and had its own volume control. Although the design engineers at Vortexion tried to make their products the most versatile around, they could never have envisaged the use to which I put my CBL, nor the imaginative way I did so. I had started being innovative at the age of eighteen...
I had prepared the tape of music and effects with short lengths of leader tape between the items, along with a numbered contents list of them all, with tape counter locations and references to the script, and had a copy of the script as well, marked-up with the effect/music item number.
It was a wonderful time for me, where I was able to give of myself, my facilities and whatever expertise I could bring to doing this vital job. It was the performers on stage who got the curtain calls and the audience's applause -- and rightly so: our young people were very talented, and deserved all of it. My job was to facilitate, to do the "techie" stuff behind the scenes (okay, to the side in this case!) and thus help make sure the show worked.

Oh, and by 1972 I had been in employment long enough to be able to afford both a superb Teac A-7030 "big machine" ( at left) and a wonderful lightweight portable recorder, a Stellavox SP-7 (pictured at right) which was -- and still is -- one of the best sound recorders in the world, even though it pre-dates the digital recording era. True professionals in the field agree even today that these machines produce a noticeably better result than the very latest (digital) technology.
All of this experience was something I never forgot; which is why when I moved here and became involved first with the Residents Association and then the local Council, I already knew that my talents (such as they are) could once again be applied to making things work better for others, rather than taking centre stage myself.
This is why so much of what I do will never hit the headlines, and will be known in detail to only very few -- in some cases virtually no-one will ever know how I achieved something-or-other. That's fine by me: all I want is to get the result, and at that I am pretty good, even in difficult circumstances (as seems to be more often the case nowadays). Applying one's skills and abilities to real-world problems and issues is what it's about, and I am grateful to have been placed in a position where my meagre talents can and do produce good results.
I still use technology and a sharp and creative mind to achieve perhaps better outcomes than others might. It's just the way I am; but it started all those years ago, when I started to devise unusual ways to tackle particular tasks. I might be no MacGyver, but then I started well before he did!
